YES is a Symphonic Prog Progressive Rock artist from United Kingdom. This page includes YESs biography, official website, pictures, videos from YouTube, MP3. Presentation Delia Derbyshire is one of the earliest and most influential electronic sound synthesists. She was musically active from 1962 until the mid seventies. AOL Radio is powered by humans Great radio is all about unexpected connectionsthe kind that an algorithm cant predict. Pick any station in any of the 30 genres. I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul. All the best musical moments in Simpsons history with audio clips mp3 format. Sweet Dreams is a dance pop and electropop song that incorporates elements of rock and old school funk music. The song is built on undulating electro rhythms and a. Delia Derbyshire Audiological Chronology. If you care about the Audiological Chronology. Electric Dreams Song Mp3' title='Electric Dreams Song Mp3' />Thank You. Version 2. October 2. The wikidelia is new Delia Derbyshire is one of the earliest and most influential electronic. She was musically active from 1. Definition. This list includes all songs known to be written by Prince regardless of official credits, andor whether a studio recording is known to exist. U96pk/hqdefault.jpg' alt='Electric Dreams Song Mp3' title='Electric Dreams Song Mp3' />World of Color is a nighttime show at Disney California Adventure, part of the Disneyland Resort. Torrentz will always love you. Farewell. 20032016 Torrentz. Although her revolutionary sounds are familiar to over a hundred million. Doctor Who and the seminal. An Electric Storm she was hardly ever credited and her name is. The bulk of her. musical production and atmospheric sound for television and radio programmes. BBC Sound Archives. After her death, 2. Manchester University Center for Screen Studies who have digitized. Most will probably never be heard again. Mark Ayres made a catalogue of the BBC archives and of the attic tapes. I originally compiled this chronology from what I could find of. Delia Derbyshires music from material found on the web, adding info from. For biographical material and lists of commercial albums containing her music. Where I have been able to find a date the order here is chronological, though. I have only seen a passing mention of their existence and have. Others are inserted at random. I am always pleased to receive suggestions for better ordering. I am ignorant. as well as reports of errors in the site contents, however minor. Martin Guy, lt martinwguygmail. There is some new stuff here. Delia was born on the 5th of May 1. I was always into the theory of sound even in the 6th form. The physics. teacher refused to teach us acoustics but I studied it myself and did very. It was always a mixture of the mathematical side and music. Also. radio had been my love since childhood because I came from just a humble. It was. always my little ambition to get into the BBC. The only way into the workshop was to be a trainee studio. This is because the workshop was purely a service department. The BBC made it quite clear that they didnt employ composers. Delia, in the. Hutton interview, 2. Feb 2. 00. 0. Delia joined the BBC Radiophonic Workshop in 1. I have no date for the following pieces. Please get in touch if you know more about any of them. A version of Bachs Air on a G String. Released on 1. 0 vinyl Music from The BBC Radiophonic Workshop by Rephlex as CAT1. LP 2. 00. 3. Released on vinyl BBC Radiophonic Music by BBC Records as REC2. M. 1. 97. 1 and 1. May 2. 00. 3 and on CD as REC2. MCD 2. 6 November 2. Her papers contain detailed notes and tape labels for the creation of sound. F. Chagrin and S. Brown. This may be Sandy Brown, composer of the score for. Delia so knowingly gave it. Robin Carmody, 1. July 1. 6th October 2. It can be heard as the backing music to. Sky At Night special at about 1. Released on 1. 0 vinyl Music from The BBC Radiophonic Workshop by Rephlex as CAT1. LP 2. 00. 3. Released on vinyl BBC Radiophonic Music by BBC Records as REC2. M. 1. 97. 1 and 1. May 2. 00. 3 and on CD as REC2. MCD 2. 6 November 2. Released on Doctor Who Volume 2 New Beginnings. Voatk Tools 2.2. Her papers contain two half sheets of handwritten manuscript score for. Music to Undress to, one with the theme and chords, the other with. Here, we provide these fragments recreated using Lily. Pond. typeset as a PDF and. MIDI file. Released on 1. Music from The BBC Radiophonic Workshop by Rephlex as CAT1. LP 2. 00. 3. Included in CD BBC Radiophonic Music by BBC Records as REC2. MCD. 2. 6 November 2. A note in her papers DD0. Travelling in Winter TRW 7. Dreaming. for issue as track 1. BBC record of sound effects Out Of This World. One of her earliest contributions Time On Our Hands is a. Robin Carmody, 1. July 1. 6th October 2. In her papers, she writes TRW 4. The Future 1. 98. Don Haworth, Manchester, 2. August. Don Haworth is a british playwright and documentary maker. Released on BBC Radiophonic Workshop 2. BBC Records Tapes, REC3. Her papers include her score dated July 1. Science Serves the Arts. The British Film Institute entry for the series. Her papers contain her score for A. S.  I. dated August 1. From her notes, it appears to be an arabic version of hers. TV programme Science and Industry. We dont know if her version is based on their melody or not. It also gets called Arabic Science and History. Released on BBC Radiophonic Workshop 2. BBC Records Tapes. Get Out And Get Under. Robin Carmody, 1. July 1. 6th October 2. The original song was by Maurice Abrahms. Released on BBC Radiophonic Workshop 2. BBC Records Tapes. Her papers contain a copy of a note to the Associated British Picture. Corporation dated 2. April 1. 96. 3. For creating the In a Monastery Garden sequence of The Cracksman. The instrument is an Eb safe unlocking mechanism Hope you like it. Delia Derbyshire. Although the 1. 96. Charlie Drake comedy film by ABPC contains a short sequence. Drake and some prisoners escape briefly into the prison grounds. Delias description or style. A short synthetic sound effect is used near the end of the film while Drake is. Drake makes a. pained expression. In her papers are her notes for a piece she calls F. Y. in T. TRW 5. April to 6th May 1. David Lyttle. Her papers include notes for Oliver Twist in collaboration with. Richard Wortley. In her papers are her notes for the creation of a. Radio Newsreel Signature Tune, with work to start 2. July 1. 96. 3. The Doctor Who theme is the single most important piece of electronic music. Adrian Utley of Portishead. Her recording of Ron Grainers Doctor Who theme, one of the most. TV themes ever and ranked as the 7. Pitchfork. In those days people were so cynical about electronic music and so. Doctor Who was my private delight. It proved them all wrong. Delia in 1. 99. 3, according to. Millenium Effect. The first producer of Doctor Who, Verity Lambert, she had in. Les Structures Sonores, this group from Paris. Their music. sounded really electronic but in fact they were all acoustic instruments. Radiophonic Workshop was a below the line cost she came to. Radiophonic Workshop and the boss recommended Ron Grainer because he. Giants of Steam. Ron saw the visual titles. On the score hed written sweeps, swoops. I got to work and put it. Ron heard the results, oh, he was tickled pink. Delia, in the Boazine interviewIt was a magic experience because I couldnt see from the music. She used concrete sources and sine and square wave oscillators. When Grainer heard the result, his response was Did I really. Most of it, Delia replied. Brian Hodgson. In an official history of the first 2. BBC Radiophonic Workshop. Delia tells how she created the Dr Who theme tune with a series of. Dick Mills, who helped Delia create the piece, says. We started with the bass line. You know those 1. You could get blank panels too, to fill in between them. They were slightly. Delia found one that made a good musical twang and played it. We recorded it then vari speeded up and down to different. And what was the main tune played on It was just a load of oscillators signal generators that someone had. But what about that distinctive portamento Well, you just twiddled the frequency knob, of course how else. Eventually, after some pre mixing. Crash syncing the tape recorders was Delias speciality, says Dick. We had three big Phillips machines and she could get them all to run exactly. Shed do one, two, three, go But with. Doctor Who we had a bum note somewhere and couldnt find it It wasnt. Eventually, after trying for ages. Song of Myself. Wont you help support Day. Poems 1. 81. 9 1. I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you. I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, formd from this soil, this air. Born here of parents born here from parents the same, and their. I, now thirty seven years old in perfect health begin. Hoping to cease not till death. Creeds and schools in abeyance. Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard. Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it. The distillation would intoxicate me also, but I shall not let it. The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact with me. The smoke of my own breath. Echoes, ripples, buzzd whispers, love root, silk thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing. The sniff of green leaves and dry leaves, and of the shore and. The sound of the belchd words of my voice loosd to the eddies of. A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields. The feeling of health, the full noon trill, the song of me rising. Have you reckond a thousand acres much Have you practisd so long to learn to read Have you felt so proud to get at the meaning of poems Stop this day and night with me and you shall possess the origin of. You shall possess the good of the earth and sun, there are millions. You shall no longer take things at second or third hand, nor look through. You shall not look through my eyes either, nor take things from me. You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the. But I do not talk of the beginning or the end. There was never any more inception than there is now. Nor any more youth or age than there is now. And will never be any more perfection than there is now. Nor any more heaven or hell than there is now. Urge and urge and urge. Always the procreant urge of the world. Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learnd and unlearnd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical. I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen. Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be. I am satisfied I see, dance, laugh, sing. As the hugging and loving bed fellow sleeps at my side through the night. Leaving me baskets coverd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with. I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turnd over upon me. And parted the shirt from my bosom bone, and plunged your tongue. And reachd till you felt my beard, and reachd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heapd stones, elder, mullein and. A child said What is the grass How could I answer the child I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt. Bearing the owners name someway in the corners, that we may see. Whose Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass. It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out. And here you are the mothers laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women. And the hints about old men and mothers, and the offspring taken. What do you think has become of the young and old men And what do you think has become of the women and children They are alive and well somewhere. The smallest sprout shows there is really no death. And if ever there was it led forward life, and does not wait at the. And ceasd the moment life appeard. All goes onward and outward, nothing collapses. And to die is different from what any one supposed, and luckier.